{"id":3067,"date":"2022-04-04T07:10:09","date_gmt":"2022-04-04T05:10:09","guid":{"rendered":"https:\/\/artibermont.com\/?post_type=product&p=3067"},"modified":"2025-01-14T15:41:47","modified_gmt":"2025-01-14T14:41:47","slug":"hiremy-hirschl-adolf-aphrodite-huile-toile","status":"publish","type":"product","link":"https:\/\/artibermont.com\/zh-hans\/produit\/hiremy-hirschl-adolf-aphrodite-huile-toile\/","title":{"rendered":"Adolf Hiremy-Hirschl (1860-1933), “Aphrodite”"},"content":{"rendered":"

Adolf Hiremy-Hirschl<\/strong> (Timi\u015foara, Hongrie, 1860 – Rome, 1933)<\/p>\n

“Aphrodite”<\/p>\n

Huile sur toile
\nSign\u00e9 : A Hiremy
\nVers 1893
\n110,7 x 275,6 cm (sans cadre)
\n144 cm x 308,30 cm (avec cadre)
\nCe tableau a \u00e9t\u00e9 expos\u00e9 au Mus\u00e9e du Havre (France) pour une exposition intitul\u00e9e “N\u00e9(e)s de l’\u00e9cume et des r\u00eaves” (voir catalogue ci-dessous)<\/p>\n

Plusieurs des tableaux du peintre sont expos\u00e9s au mus\u00e9e du Belv\u00e9d\u00e8re (Vienne, Autriche), au mus\u00e9e de Dallas (USA) et au MET (New-York, USA)<\/p>\n

Hiremy-Hirschl est n\u00e9 le 31 janvier 1860 \u00e0 Timi\u015foara, qui fait alors partie de la Hongrie. Il est all\u00e9, tr\u00e8s jeune, \u00e0 Vienne pour \u00e9tudier et a re\u00e7u une bourse pour l’Acad\u00e9mie des beaux-arts de Vienne en 1878. Il remporte son premier prix deux ans plus tard avec “Farewell : Sc\u00e8ne de Hannibal franchissant les Alpes”. En 1882, il gagne un prix qui lui permet de se rendre \u00e0 Rome. Son s\u00e9jour \u00e0 Rome a eu une grande influence sur le choix de ses sujets. Apr\u00e8s son retour \u00e0 Vienne, il peint “La Peste \u00e0 Rome” (1884), \u0153uvre aujourd’hui perdue. Il re\u00e7oit de tr\u00e8s bonnes critiques et gagne le Prix Imp\u00e9rial en 1891 et en 1898 la grande m\u00e9daille d\u2019or de l\u2019\u00c9tat. En 1901, il re\u00e7oit lors de la Grande Exposition d\u2019art de Berlin la petite m\u00e9daille d\u2019or.
\nDans les ann\u00e9es 1890, il fait scandale car il a une liaison avec une femme mari\u00e9e Isabella Henriette Victoria Ruston. Il finira par l\u2019\u00e9pouser. Le couple a une fille Maud. En 1899, il change son nom Hirschl pour Hiremy-Hirschl. Il quitte Vienne et se rend \u00e0 Rome, o\u00f9 il passe les 35 derni\u00e8res ann\u00e9es de sa vie en tant que membre \u00e9minent de la communaut\u00e9 artistique expatri\u00e9e. En 1904, soixante-dix de ses \u0153uvres ont \u00e9t\u00e9 expos\u00e9es lors d’une r\u00e9trospective. Il a \u00e9t\u00e9 admis \u00e0 l’Accademia di San Luca en 1911.
\nUne de ses derni\u00e8res \u0153uvres \u00e9tait “Sic Transit …” (1912), une immense all\u00e9gorie polyptyque sur la chute de l’Empire romain et la mont\u00e9e du christianisme. Ses h\u00e9ritiers ont conserv\u00e9 son atelier pendant des d\u00e9cennies apr\u00e8s sa mort. Un grand nombre de ses dessins, aquarelles, pastels et esquisses \u00e0 l’huile est devenu publique seulement \u00e0 partir des ann\u00e9es 1980. Il meurt \u00e0 Rome le 7 avril 1933.<\/p>\n

(Bilbliographie : encyclop\u00e9die wilkipedia.org)<\/p>\n","protected":false},"excerpt":{"rendered":"

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